Based on the award-winning novels by science fiction writer Isaac Asimov, the new Apple TV series Foundation follows a band of exiles on a mission to rebuild civilisation after the fall of a galactic empire.
Asimov, for the uninitiated, is one of the most important figures in science fiction and is often regarded as one of the “big three” authors, along with Robert A. Heinlein and Arthur C. Clarke. Together they helped bring about the so-called “golden age” of science fiction in the mid-20th century.
As a writer, Asimov was remarkably prolific over his 50-year career. In that time he wrote 40 novels, 383 short stories and 280 non-fiction books. Once you finish watching Foundation you might want to delve into some of these. With such a vast body of work, it’s hard to capture it all in a single short article. So instead, here are some of the most important themes in his work to look out for when Foundation has given you the itch to discover more of his stories.
Sometimes, the rules don’t work
Asimov is perhaps most famous for his book I, Robot (1950), a collection of short stories that introduce us to Asimov’s “Three Laws of Robotics”. These are a set of rules designed to protect humans from harm and ensure peaceful coexistence between humans and machines:
- A robot may not injure a human being or, through inaction, allow a human being to come to harm.
- A robot must obey the orders given by human beings except where such orders would conflict with the First Law.
- A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
Plus the zeroth law: “A robot may not harm humanity, or, by inaction, allow humanity to come to harm.”
These laws have become so ubiquitous in science fiction over the years, you may have heard of them without realising where they came from.
However, as the I, Robot stories go to show us, the Three Laws of Robotics don’t actually work. This is because any rule, when applied fully and to the letter, cannot ever work as intended in all cases.
A blurring of genres
One of the things that makes science fiction so compelling for its fans is the way that it can so seamlessly shift between genres, and incorporate many different ideas in a single form. Asimov was one of the first great proponents of this blurring of genres. This can be seen in early works such as The Caves of Steel (1953), which blends science fiction with the detective story.
The caves of steel doubleday cover. Photo: Wikimedia
Many of our most loved science fiction TV series owe a great deal to Asimov and his pioneering work blending genres. It’s thanks to him that we can now enjoy such madcap concepts as wild-west-in-space (Firefly) and the isolating madness of being trapped three million years in the future with only a robot, a hologram and a creature descended from a domestic cat for company (Red Dwarf).
Science is important
It may seem a strange thing to say about a science fiction writer, but Isaac Asimov did place great weight on the importance of science in his work. When he wasn’t writing award-winning short stories and novels, he published widely in the non-fiction scene, including the likes of Isaac Asimov’s Guide to Earth and Space (1991).
Of course, all this work in the realm of science fed into his fiction work too. His books abound with talk of quasars and quarks, and ponderings on the nature of the strong nuclear force. You’re also likely to find thinking about how such developments might impact upon society and what effect new technologies might have on the way we live our lives.
Sustainability, the environment and other problems
Asimov is perhaps underrated for his work in this area, but his 1974 Nebula Prize-winning novel The Gods Themselves gives a fascinating insight into a world of over-consumption, where the solution to the energy “problem” is to simply pump it in from elsewhere using a device known as an Electron Pump.
Unfortunately, the “elsewhere” in this case happens to be another dimension where a race of intelligent beings starts to suffer the consequences of a cooling universe. Meanwhile, it transpires that the device used to pump in the so-called “free” energy is also altering the laws of physics in our world as well – with the inevitable consequence that it will soon cause the sun to explode – and destroy Earth with it.
This is but one example of many in Asimov’s work where he warns against the dangers of hubris, and extrapolates real-world problems – and their perceived solutions – and takes them to their absurd and often terrifying conclusion.
Where next for humanity?
Of course, no discussion of Asimov would be complete without mention of his famous Foundation series, which features some of his most ambitious and important novels.
The series follows mathematician Hari Seldon and his followers as a galaxy-spanning empire goes into decline. Seldon has developed a theory of psychohistory, a mixture of history, sociology, and mathematical statistics, which he uses to make general predictions about the fate of future populations. While the decline of civilisation is impossible to stop, Seldon devises a plan to deflect the onrushing events with incremental changes in the present which have big effects in the future, lessening the impact of the worse parts of his prediction.
What makes Foundation so compelling is just how familiar some of the themes feel even today, some 70 years after the first novel’s publication. Partly, this is due to Asimov’s deep understanding of science and the potential consequences of where certain technologies, and certain ideas, might lead. And, as you’ll discover as you delve into his vast back catalogue, in an age of climate crisis, global pandemics and sinister corporations, his warnings about the future of humanity are as pertinent as ever.
Mike Ryder, Teaching Fellow in Marketing, Lancaster University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Featured image: Apple TV